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There’s no time to rest in January. With the new year comes the start of the international men’s fashion show tour, which passes through no fewer than five cities across the world in a matter of weeks. London Fashion Week Men’s (formerly London Collections Men) is always first out of the blocks, keeping anyone with a passing interest in style on their Reebok toes with a mix of established and emerging talent. Of course, as anyone who has ever seen a fashion show or looked at the street style outside will know: for every expertly tailored look, there’s a huge papier mache ensemble wobbling down the runway. The spectacles are rarely to be taken at face value. Which is why FashionBeans is on hand to translate what went down on the runway into what you’ll actually be wearing when the clothes land in stores and online come autumn/winter 2017.
The first outfit that appears on a designer’s runway, aside from being one that makes the attendees sit up and pay attention, is often a statement of intent for everything else that will follow. Several big names this season kicked off their shows with trousers that swung wide. This potentially challenging cut has been bubbling under the surface for a few seasons now, likely as a backlash to the increasingly skinny fits men have been squeezing their thighs into. (Related: 10 Notoriously Difficult Menswear Pieces And How To Wear Them) Pagan knights were a reference for J.W.Anderson, while ‘anonymous travellers’ appeared in the show notes for Craig Green. Similarly, Astrid Andersen went with ‘masculine opulence’ and Martine Rose looked at ‘bankers, office workers, bus drivers’. Whether this makes sense to you or not, all you need to know is that they add up to a loosening in the leg department. Trousers weren’t the only free-flowing pieces on show, however. Long overcoats that almost touched the floor were also given airtime. Many designers, including Joseph and E.Tautz, even matched elongated outerwear with – yep, you’ve guessed it – wide trousers. It seems menswear is relaxing all round.


Let’s be clear from the off: not worn together. It’s a cliché that the fashion industry is one big inside stitch-up where designers and fashion houses gather together at some unofficial meeting place to decree which colours will be hot next season. It doesn’t quite happen like that. There are trend forecasters and fabric fairs that nudge things in certain directions, but even so, certain colours do tend to gather momentum during fashion show season. (Related: Where Do Trends Come From?) Yellow is not a colour traditionally associated with winter, but it does have an optimistic tone that is needed in the world right now. It appeared in collections as diverse as Joseph and Liam Hodges. Meanwhile, the other colour route to go down, looking at the likes of Lou Dalton, Cottweiler and J.W.Anderson, would seem to be purple. Prince is alive and kicking in some form.


From parka jackets to ripped jeans, the menswear world has been an ode to all things nineties of late. And if the recent shows were anything to go by, it doesn’t look like we’re quite ready for the millennium just yet. At Topman Design, the show that kicked off the four-day event, the collection notes called out ‘the archetypal nomadic British traveller’ and ‘1990s rave graphics and neons’. Allow us to translate that for you: nylon macs, relaxed-leg denim, bright hues and gelled-down fringes. (Related: 4 Nineties Menswear Trends To Revive, And 4 To Leave For Dead) Christopher Shannon’s show included hoodies worn with dungarees, fluorescent flashes and painted face masks. Meanwhile, clothing and accessories with a focus on function and utility were spotted in the form of Craig Green’s jumbo puffers inspired by deep sea diving kit and Matthew Miller’s rucksacks with climbing fastenings. One of the highlights came from Ben Cottrell and Matthew Dainty, the duo behind Cottweiler. Their inspiration taken from outdoor pursuits like bird watching and camping produced technical outerwear and showerproof tracksuits with a finale featuring all the models sporting head-torches under strobe lighting.


Take your pick from corduroy, velvet and denim, because each has had its moments during this London menswear season. Painted denim appeared at J.W.Anderson and Liam Hodges; two-tone and pale denim cropped up at Christopher Shannon; Charles Jeffrey Loverboy included a long belted coat with shearling collar; and Patrick Grant at E.Tautz continued to use the fabric in his collection to give it an easy, modern feel. (Related: 6 Men’s Denim Trends You Need To Know) Grant delivered on the corduroy trouser front, too, while the fabric was also reimagined as track pants by both Astrid Andersen and up-and-coming name Phoebe English. Elsewhere, Studio Nicholson, a womenswear label, debuted its menswear this season with wide cords front and centre. Lastly, velvet looked rather dashing at Oliver Spencer, who delivered it in a rich olive green suit but with the traditional blazer switched out for a zip-up bomber.


Over the past few years the rise of directional sportswear, luxe gym kit and athleisure has been a leading theme in menswear. Chances are you’re wearing something that fits the bill right now. Despite being the home of Savile Row, many of London’s brightest talents such as Christopher Shannon have been integral to the athletic influence on menswear. Plus, with labels such as Vetements and Off-White gaining increasing global hype for high-end streetwear, the look is one that seems to show little signs of slowing. A hoodie tucked into paperbag-waist trousers at Liam Hodges stood out as the defining look at LFWM. Meanwhile, Shannon’s ‘Tumbleweed’ tracksuit had the kind of wit we’ve come to expect from him. Christopher Raeburn, known for his dedication to recycled fabrics and organic suppliers, showed a transparent blue short-sleeved hoodie layered over a long sleeve top – another nod to 1990s styling.


We independently evaluate all recommended products and services. Any products or services put forward appear in no particular order. if you click on links we provide, we may receive compensation.
There’s no time to rest in January. With the new year comes the start of the international men’s fashion show tour, which passes through no fewer than five cities across the world in a matter of weeks. London Fashion Week Men’s (formerly London Collections Men) is always first out of the blocks, keeping anyone with a passing interest in style on their Reebok toes with a mix of established and emerging talent. Of course, as anyone who has ever seen a fashion show or looked at the street style outside will know: for every expertly tailored look, there’s a huge papier mache ensemble wobbling down the runway. The spectacles are rarely to be taken at face value. Which is why FashionBeans is on hand to translate what went down on the runway into what you’ll actually be wearing when the clothes land in stores and online come autumn/winter 2017.
The first outfit that appears on a designer’s runway, aside from being one that makes the attendees sit up and pay attention, is often a statement of intent for everything else that will follow. Several big names this season kicked off their shows with trousers that swung wide. This potentially challenging cut has been bubbling under the surface for a few seasons now, likely as a backlash to the increasingly skinny fits men have been squeezing their thighs into. (Related: 10 Notoriously Difficult Menswear Pieces And How To Wear Them) Pagan knights were a reference for J.W.Anderson, while ‘anonymous travellers’ appeared in the show notes for Craig Green. Similarly, Astrid Andersen went with ‘masculine opulence’ and Martine Rose looked at ‘bankers, office workers, bus drivers’. Whether this makes sense to you or not, all you need to know is that they add up to a loosening in the leg department. Trousers weren’t the only free-flowing pieces on show, however. Long overcoats that almost touched the floor were also given airtime. Many designers, including Joseph and E.Tautz, even matched elongated outerwear with – yep, you’ve guessed it – wide trousers. It seems menswear is relaxing all round.


Let’s be clear from the off: not worn together. It’s a cliché that the fashion industry is one big inside stitch-up where designers and fashion houses gather together at some unofficial meeting place to decree which colours will be hot next season. It doesn’t quite happen like that. There are trend forecasters and fabric fairs that nudge things in certain directions, but even so, certain colours do tend to gather momentum during fashion show season. (Related: Where Do Trends Come From?) Yellow is not a colour traditionally associated with winter, but it does have an optimistic tone that is needed in the world right now. It appeared in collections as diverse as Joseph and Liam Hodges. Meanwhile, the other colour route to go down, looking at the likes of Lou Dalton, Cottweiler and J.W.Anderson, would seem to be purple. Prince is alive and kicking in some form.


From parka jackets to ripped jeans, the menswear world has been an ode to all things nineties of late. And if the recent shows were anything to go by, it doesn’t look like we’re quite ready for the millennium just yet. At Topman Design, the show that kicked off the four-day event, the collection notes called out ‘the archetypal nomadic British traveller’ and ‘1990s rave graphics and neons’. Allow us to translate that for you: nylon macs, relaxed-leg denim, bright hues and gelled-down fringes. (Related: 4 Nineties Menswear Trends To Revive, And 4 To Leave For Dead) Christopher Shannon’s show included hoodies worn with dungarees, fluorescent flashes and painted face masks. Meanwhile, clothing and accessories with a focus on function and utility were spotted in the form of Craig Green’s jumbo puffers inspired by deep sea diving kit and Matthew Miller’s rucksacks with climbing fastenings. One of the highlights came from Ben Cottrell and Matthew Dainty, the duo behind Cottweiler. Their inspiration taken from outdoor pursuits like bird watching and camping produced technical outerwear and showerproof tracksuits with a finale featuring all the models sporting head-torches under strobe lighting.


Take your pick from corduroy, velvet and denim, because each has had its moments during this London menswear season. Painted denim appeared at J.W.Anderson and Liam Hodges; two-tone and pale denim cropped up at Christopher Shannon; Charles Jeffrey Loverboy included a long belted coat with shearling collar; and Patrick Grant at E.Tautz continued to use the fabric in his collection to give it an easy, modern feel. (Related: 6 Men’s Denim Trends You Need To Know) Grant delivered on the corduroy trouser front, too, while the fabric was also reimagined as track pants by both Astrid Andersen and up-and-coming name Phoebe English. Elsewhere, Studio Nicholson, a womenswear label, debuted its menswear this season with wide cords front and centre. Lastly, velvet looked rather dashing at Oliver Spencer, who delivered it in a rich olive green suit but with the traditional blazer switched out for a zip-up bomber.


Over the past few years the rise of directional sportswear, luxe gym kit and athleisure has been a leading theme in menswear. Chances are you’re wearing something that fits the bill right now. Despite being the home of Savile Row, many of London’s brightest talents such as Christopher Shannon have been integral to the athletic influence on menswear. Plus, with labels such as Vetements and Off-White gaining increasing global hype for high-end streetwear, the look is one that seems to show little signs of slowing. A hoodie tucked into paperbag-waist trousers at Liam Hodges stood out as the defining look at LFWM. Meanwhile, Shannon’s ‘Tumbleweed’ tracksuit had the kind of wit we’ve come to expect from him. Christopher Raeburn, known for his dedication to recycled fabrics and organic suppliers, showed a transparent blue short-sleeved hoodie layered over a long sleeve top – another nod to 1990s styling.

